Cello Endpin Stopper - Artino Wooden Sound Enhancer
Artino · Cello Endpin Stopper
The Wooden Sound Anchor,
where stability meets resonance.
An endpin stopper that does two jobs at once: it holds the spike of the cello securely and uses a hollow wooden chamber to colour what the floor would otherwise absorb.
The acoustic idea
Vibration that's normally lost to the floor.
When the cello rests on a standard rubber stopper, some of the vibration travelling down the endpin is dampened by the floor. The Artino anchor sits in that path with a hollow wooden chamber, letting some of that energy resonate rather than disappear.
Players often describe a fuller projection and a more present low end when they switch from a plain rubber stopper. The change is subtle, but it is consistent enough that many performers carry one to every concert.
Construction
Built around the way a cellist sits.
An ergonomic divot in the wooden body seats the endpin spike securely. A non-slip rubber pad on the underside protects floors and keeps the anchor in place. A durable strap loops around the chair leg so the cello stays at a consistent distance from your body, performance to performance.
Details
What you're buying.
| Brand | Artino |
|---|---|
| Type | Endpin stopper with wooden resonating chamber |
| Base | Non-slip rubber pad |
| Strap | Adjustable, attaches to chair leg |
| Spike seat | Ergonomic divot |
| Suits | Players of all ages and heights; performance and recording use |
Which Artino is right?
Wooden anchor or cello-shaped stopper?
If projection is the goal, the wooden anchor is the one. For a lighter, simpler stopper with three spike holes, see the cello-shaped Artino. Email [email protected] if you'd like a steer.
Artino · Cello Endpin Stopper
The Wooden Sound Anchor,
where stability meets resonance.
An endpin stopper that does two jobs at once: it holds the spike of the cello securely and uses a hollow wooden chamber to colour what the floor would otherwise absorb.
The acoustic idea
Vibration that's normally lost to the floor.
When the cello rests on a standard rubber stopper, some of the vibration travelling down the endpin is dampened by the floor. The Artino anchor sits in that path with a hollow wooden chamber, letting some of that energy resonate rather than disappear.
Players often describe a fuller projection and a more present low end when they switch from a plain rubber stopper. The change is subtle, but it is consistent enough that many performers carry one to every concert.
Construction
Built around the way a cellist sits.
An ergonomic divot in the wooden body seats the endpin spike securely. A non-slip rubber pad on the underside protects floors and keeps the anchor in place. A durable strap loops around the chair leg so the cello stays at a consistent distance from your body, performance to performance.
Details
What you're buying.
| Brand | Artino |
|---|---|
| Type | Endpin stopper with wooden resonating chamber |
| Base | Non-slip rubber pad |
| Strap | Adjustable, attaches to chair leg |
| Spike seat | Ergonomic divot |
| Suits | Players of all ages and heights; performance and recording use |
Which Artino is right?
Wooden anchor or cello-shaped stopper?
If projection is the goal, the wooden anchor is the one. For a lighter, simpler stopper with three spike holes, see the cello-shaped Artino. Email [email protected] if you'd like a steer.
Original: $34.55
-65%$34.55
$12.09Description
Artino · Cello Endpin Stopper
The Wooden Sound Anchor,
where stability meets resonance.
An endpin stopper that does two jobs at once: it holds the spike of the cello securely and uses a hollow wooden chamber to colour what the floor would otherwise absorb.
The acoustic idea
Vibration that's normally lost to the floor.
When the cello rests on a standard rubber stopper, some of the vibration travelling down the endpin is dampened by the floor. The Artino anchor sits in that path with a hollow wooden chamber, letting some of that energy resonate rather than disappear.
Players often describe a fuller projection and a more present low end when they switch from a plain rubber stopper. The change is subtle, but it is consistent enough that many performers carry one to every concert.
Construction
Built around the way a cellist sits.
An ergonomic divot in the wooden body seats the endpin spike securely. A non-slip rubber pad on the underside protects floors and keeps the anchor in place. A durable strap loops around the chair leg so the cello stays at a consistent distance from your body, performance to performance.
Details
What you're buying.
| Brand | Artino |
|---|---|
| Type | Endpin stopper with wooden resonating chamber |
| Base | Non-slip rubber pad |
| Strap | Adjustable, attaches to chair leg |
| Spike seat | Ergonomic divot |
| Suits | Players of all ages and heights; performance and recording use |
Which Artino is right?
Wooden anchor or cello-shaped stopper?
If projection is the goal, the wooden anchor is the one. For a lighter, simpler stopper with three spike holes, see the cello-shaped Artino. Email [email protected] if you'd like a steer.